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本文主要分析康有为以复古为革新的绘画观。面对西方文化的冲击,康有为主张发掘、复兴传统的宋代写实绘画,同时又因其与文艺复兴时期的风格相似,宋画具有了世界性的意义和“现代”的价值。康一方面寻求更纯粹的传统,两一方面又主张向西方学习,怀疑传统。危机意识的自省与自觉,对传统的批判和向西方学习的主张,使他成为画学由传统向现代转变的第一人。
This article mainly analyzes Kang Youwei’s painting idea of taking innovation as an innovation. In the face of the impact of Western culture, Kang Youwei advocated excavation and rejuvenation of the traditional realistic painting of the Song Dynasty. At the same time, because of its similarities with the Renaissance style, Song Dynasty painting has global significance and “modern ” value. On the one hand, Kang seeks for a more pure tradition. On the other hand, he advocates learning from the west and doubts about tradition. The self-examination and conscientiousness of crisis consciousness, the critique of tradition and the idea of learning from the West made him the first person to transform painting from traditional to modern.