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中国元代诸多史料典籍中,遗存有乐舞艺乐伎,所呈现出的质朴巧拙、圆方曲直、长短粗细、浓淡轻重、疏密虚实的线条,时而旋如飞云、捷刚张弛,时而驰奔雄关,漫道苍茫,百态千姿,表现的不仅仅是天地山川美貌,物兽衣冠乐舞艺人之躯,其精髓表现的是人类的智慧、精神、气质、学识、修养的感情再现。元代乐舞艺术从整体上看,与儒、道、释的思想趋于一致。其乐舞以表现意气、崇尚士气、野逸之
A lot of historical materials and books in the Yuan Dynasty in China are left with musical and musical instruments, which are simple and clumsy, round and square, the length and the thickness, the light and heavy, the density and density of real and imaginary lines, from time to time, such as Feiyun, Czechoslovakia relaxation, Ben Xiong Guan, diffuse Tao vastness, in different poses and with different expressions, the performance of more than just beautiful mountains and rivers, animal clothing crown music dance artist’s body, the essence of human performance is the wisdom, spirit, temperament, knowledge, self-cultivation of the emotional reproduction. On the whole, the art of dancing and dances in Yuan Dynasty converges with the thoughts of Confucianism, Taoism and Buddhism. Its music and dance to show the mood, advocating morale, Yeh