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08年春晚,“苏格兰情调”式的小沈阳的高调亮相,宣布了一种独特的文化在当下语境中的初步成型。当小沈阳的“阴柔之美”迅速红遍大江南北,“笑文化”也终于呈现出了以赵本山为代表的“黑土地文化”、郭德纲领衔的“德云社”和周立波独挑大梁的“海派清口”这样一种三足鼎立之势。在当下商品经济的语境下,“笑文化”在其单纯的外表下必然孕育着对历史的无知和健忘、知识获取的无能和思辨能力的退化。在其所标榜的“快乐的承诺”背后隐藏着的是力量强大的商业推手,它们共同将“笑文化”包装成一件时髦的商品,并在与语言的不断调情中更新换代,通过不断的否定当下试图建立属于自己的“乌托邦”。虽然他们声称“笑文化”是以娱乐大众为目的的,观众可以从中获得单纯的快乐,然而问题是,我们不可能指望大众在欣赏小沈阳表演的同时可以思考一下——哪怕是认识到——当今社会的“都市阉寺性”问题。
Spring 2008 08, “Scottish mood ” type of small Shenyang debut, announced a unique culture in the context of the initial shape. When Little Shenyang “feminine beauty ” quickly became popular in both the north and south of the country, “Laughing Culture ” finally showed “Black Land Culture ” represented by Zhao Benshan, “DeYunShe” led by Guo DeGang and Zhou Libo dominate the beam “Shanghai Pai Qingkou ” such a tripartite confrontation of the trend. In the current context of commodity economy, “lauguage ” in its simple appearance is bound to breed ignorance and forgetfulness of history, the incompetence of knowledge acquisition and the degradation of speculative ability. Hidden behind its advertised “Happy Promise,” is a powerful business promoter who collectively “smiles culture” into a stylish product that is renewed in constant flirtation with the language, Through continuous denial of the moment trying to establish their own “Utopia ”. Although they claim that “Laughing Culture” is for the purpose of entertaining the public, the audience can derive pure happiness from it. However, the problem is that we can not expect the public to think about it while enjoying the small Shenyang performance - even if it is recognized - Today’s society “city gelding Temple sex ” issue.