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文学史认为,德国浪漫派著名诗人布伦塔诺的诗歌成就主要体现在民歌的艺术化和现代化上。本文试图在文本细读的基础上,从德语诗歌发展的角度对这一共识加以补充,进一步从语言、人物、意义等方面说明布伦塔诺的“艺术化”与“现代化”等创新;论述布伦塔诺诗歌体现的新的美学倾向,即摆脱了二百年来德语诗歌中的主体与客体以及情与景关系的纠缠,实现了自我心象的直接呈现,表现了自我的当下存在,为德语诗歌的发展开辟了新路。
Literary history believes that the poetic achievement of Brentano, a famous German Romanticist poet, is mainly reflected in the artistry and modernization of folk songs. This paper attempts to supplement this consensus from the perspective of the development of German poetry on the basis of careful reading of texts and to further explain Brentano’s innovations such as “artistry” and “modernization” from the aspects of language, character and meaning. Brentano’s poetry embodies the new tendency of aesthetics, that is to get rid of the entanglement of subject and object and relationship between love and scenery in German poetry for two hundred years, to realize the direct presentation of self-image, to show the present existence of self, The development of German poetry has opened up a new path.