“80后文学”:符号化建构的尴尬

• 作 者: 李定通
• 机 构: 华东师范大学中文系,
• 出 处: 文艺评论
• 发表日期: 2016年03期

“80后文学”是个旧命题,也是个新命题。说它是旧命题,是因为早在2000年新概念作家群出道的时候,媒体就将“80后”(彼时“80后”还是新锐)作为话题进行炒作,在2004年2月“少女作家”春树还登上了TIME杂志亚洲版封面,“80后”这一标志同通俗政治、大众明星一样成为一个流行符号。说它是新命题,是可观的“80后文学”热,也就是近两三年的现象,有系统、有组织的“80后”作家与批评家造势运动沸沸扬

“80 after the literature ” is an old proposition, but also a new proposition. It is the old proposition, because as early as the 2000 new concept writers group debut, the media will “80 after” (then “80” or new) as a topic for speculation in 2004 2 Moon “girl writer ” Haruki also boarded TIME magazine Asian version of the cover, “80 ” this sign with popular politics, public stars, like a popular symbol. Saying that it is a new proposition and that it is a considerable “hot” literary phenomenon after 80 years, and that it has been characterized by systematic and organized “post-80s” writers and critics.