论文部分内容阅读
书法,是传统文化内部的产物,它由观念积淀为形式,成为人心营构之象。因而,书法归趋于审美,并不是形式化的结果,而是人文化成的产物。书法衍生于汉字。汉字的产生,虽具有通达天人之际的伟力,但归其根柢只不过是工具性的一物。因而,依乎“六书”法天象地的取象意识,虽使汉字先天地具有了美学价值,但如果没有文的自觉与人的自觉——心性化的审美融注,则汉字便只会停留在工具性物化阶段而上升不到书法的形上高度。事实上,书法真正趋于自觉
Calligraphy is the product of the traditional culture, which is formed by the concept of accumulation and becomes the image of people’s mind. Therefore, the calligraphy tends to aesthetic, not the result of formalization, but a product of human culture. Calligraphy derived from Chinese characters. Although the production of Chinese characters has the power to reach the world, it is only a matter of instrumentalities. Therefore, according to the “Six Books” method, the sense of taking images of the “Six Books” method has the aesthetic value of the Chinese characters, but without the awareness of the text and the aesthetic interpretation of the heart, the Chinese characters It will only stay in the materialized stage of instrumentalism and rise up to the height of calligraphy. In fact, calligraphy really conscious