论文部分内容阅读
德国浪漫主义反讽的主要理论家弗﹒施莱格尔强调用“矛盾”的观点来看待反讽。他认为“世界在本质上是诡论式的,一种模棱的态度才能抓住世界的矛盾整体性”。在认知上,反讽不是孤立的存在,而是两种矛盾对立的事物的统一体。在文学作品中,反讽是一种反差和错位状况的表达,“是我们表示不协调品质的最一般化的术语”[1]“两极对立的人物和事物、画面和场景、情绪和心理就构成了反讽的基础”[2]欧阳子的小说就是将
The main theorist of German romantic irony. Schlegel emphasizes irony from the perspective of “contradiction ”. He believes that “the world is intrinsically delusional and an ambiguous attitude can grasp the overall contradiction of the world.” In cognition, irony is not an isolated existence, but a unity of two contradictory and contradictory things. In literature, irony is an expression of contrast and dislocation, “the most generalized term for our uncoordinated quality.” [1] “People and things that are opposite in polarity, pictures and scenes, emotions and Psychology constitutes the basis of irony ”[2] Ouyang Zi’s novel is to be