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用萨特的存在主义文学理论解读田纳西·威廉斯主要剧作中的男性角色,揭示出现代男性在工业化社会中所遭遇的“存在式”危机和身份认同危机,并进一步探讨人在面对危机时的自由选择与积极拯救。
Using Sartre’s existentialist literary theory to interpret the male role in Tennessee Williams’s major dramas reveals the crisis of “existence” and the identity crisis encountered by modern men in an industrialized society and further explores how people face Free choice and active rescue of the crisis.