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元代文人画大兴,文人画家多通过画山水画来寄托对故国的眷恋,抒写郁闷不平的胸臆,追求笔情墨趣,故道释人物画比前代更少。少数善画道释人物画的画家也多以水墨或白描手法作画,以重笔墨之趣,不似前人注意庄严肃穆的形象。由于元代许多不满异族统治的知识分子遁入佛道教,尤其全真道教的兴起,成为部分知识分子躲避战乱,寻求精神安慰的出路。所以元代善画的道士非常多,上至天师,下至一般道士,有记载的就不下四十人,其中有些人是元代,也是中国美术史上有杰出成就的画家。
The literati painters of the Yuan Dynasty dynasty, and many literati painters mostly rely on landscape painting to place their attachment to the homeland, expressing depressing thoughts and pursuing the ideal of writing. A handful of good painter and interpreter figure painting artist also mostly ink or white drawing techniques to heavy ink fun, unlike the previous attention to the solemn solemn image. Because many Yuan Dynasty dissatisfied with alien dominated intellectuals fled into Buddhism and Taoism, especially the rise of Quanzhen Taoism, as part of the intellectuals to escape the war, seek spiritual comfort outlet. Therefore, there were so many Taoist priests in the Yuan Dynasty. From Master to Master, down to ordinary priests, no fewer than 40 were documented. Some of them were Yuan dynasty and painters of outstanding accomplishments in Chinese art history.