唐代敦煌藻井中团花纹的艺术构成形式分析

• 作 者: 师宏艳
• 机 构: 四川师范大学,
• 出 处: 明日风尚
• 发表日期: 2017年13期
• 关键词: 团花纹 艺术构成 敦煌藻井图案 吉祥纹样 传统文化基础 艺术瑰宝 唐时期 艺术风格 形式分析 类型分析

团花纹不仅是中国传统吉祥纹样之一,也是中国历史上的艺术瑰宝之一。在唐代时期团花纹以传统文化基础之上吸收外来文化而形成。其艺术风格在唐时期达到顶峰,团花纹在经过其他文化和本民族文化的影响下,形成了独具代表性的唐代团花纹。而我国著名敦煌石窟中团花纹被运用到藻井图案中,另外,后世对敦煌藻井图案研究也颇为丰硕。从藻井图案演变历程、各式纹样的类型分析、文化艺术变迁的研究领域均有所成就。本文就唐代敦煌藻井中团花纹的艺术构成形式进行分析。

Mission pattern is not only one of the traditional Chinese auspicious patterns, but also one of the art treasures in Chinese history. In the Tang Dynasty, the traditional pattern based on traditional culture to absorb foreign culture formed. Its artistic style reached its peak in the Tang Dynasty. Under the influence of other cultures and ethnic cultures, the group pattern formed a unique pattern of the Tang Dynasty. The famous Dunhuang Grottoes Mission pattern was applied to the pattern of caverns, in addition, later generations of Dunhuang caisson pattern research is also quite fruitful. From the evolution of the caisson pattern, the types of patterns, cultural and artistic changes have made achievements in the field of research. This article analyzes the art form of Dunhuang caisson pattern in the Tang Dynasty.