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音乐事业的发展离不开音乐创作,音乐作品的价值必须通过演奏家的演绎来实现,作曲者如何在文本中将自己的创作意图准确的表达,演奏员又如何将文本中的各种符号正确接收理解并准确表现于音乐之中,这些都直接决定着一部音乐作品的成功与否。年轻的音乐创作者以及演奏家在现代音乐创作及其音响的实现中总会遇到的一些新问题,解决这些问题的同时有可能也随之诞生某种新的演奏技法或创作手段。本文将通过对近年来所见一些新音乐作品创作演绎过程的具体实践,试图说明音乐创作与音乐表演相互促进,相互创新的过程,希望对广大的音乐学者来说有一定的参考价值。
The development of music business is inseparable from the creation of music. The value of music works must be realized through the performer’s interpretation. How can composers accurately express their creative intention in the text? How can the performer correct the various symbols in the text? Receiving understanding and accurate representation in the music, which are directly determine the success of a musical piece. Young music creators and performers always encounter some new problems in the realization of modern music and their audio. To solve these problems, some new playing techniques or creative methods may also be born at the same time. This article attempts to explain the process of mutual promotion and mutual innovation of music creation and music performance through the concrete practice of some deductions of some new musical compositions seen in recent years, hoping that it will have certain reference value for the majority of music scholars.