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本文从互文性视角出发,探讨《圣经》中“索多玛”意象在萨德侯爵的小说《索多玛120天或放纵学校》及帕索里尼的电影《萨罗或索多玛120天》中的演变,以呈现这一意象在三个文本中形成的积极的对话关系。
This essay, from the perspective of intertextuality, explores the “Sodomian” image in the Bible in the Marriage of Sod’s novel “Sodom for 120 days or indulgence” and Pasolini’s movie “Salo or Sodom Mau 120 Days ”to present the positive dialogue that this image forms in the three texts.