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楚默治学,视角素与时人不同。他的书论文章,把书法置于西方美学、文化人类学、心理学等学科的多重审视中,辅以中国古代诗、书、文、画理论,故常能独抒己见,言人所不能言。这在楚默近日面世的《书法解释学》一书中更是表现无余。该书汇集了楚默多年来在书学理论方面研究、探讨的精华,对书法审美活动作了全方位的考察。全书围绕着书法的创
Chumerology learning, perspective and different people. His book essays place calligraphy in the multiple scrutiny of Western aesthetics, cultural anthropology, psychology and other disciplines, supplemented by ancient Chinese theories of poetry, books, literature and painting, so often can express their views independently and can not speak words . This is Chu Tomo’s “Calligraphy Hermeneutics” recently appeared in a book more than nothing else. The book brings together many years of Churmer in book study theory, the essence of exploration, made a comprehensive survey of calligraphy aesthetic activities. The book revolves around the calligraphy