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说到时代性,我觉得画家在不同时期的作品各有不同。我们生活在当下,用画笔记录的一花、一草、一景、一物,其实都是在描绘当下客观事物的一种状态。这就是时代性。《艺术沙龙》:您怎样评价“70后”“80后”画家的艺术创作?宋宏家:“70后”和“80后”画家大多都有着扎实的学院功底,都有着很鲜明的画面语言与时代感,这也反映了这个时期的中青年画家对于创作的中心思想,以及题材把握上的一种高度开放性和包容性。在手法和技法上的多样性,也体现了更深层面的理解与思考。《艺术沙龙》:您觉得“新水墨”会成为未来的主流吗?如何看待“新水墨”的发展?宋宏家:“新水墨”对应的自然是“旧水墨”。一切新的东西不见得一定都是好的,旧的也不代表就是过时要被淘汰的。
Speaking of the times, I think painters have different works in different periods. When we live in the present, the flowers, the grass, the scenery and the things recorded with the brush are all actually depictions of the present objective things. This is the age. “Art Salon”: How do you evaluate the artist’s artistic creation after 70s 80s? Song Hongjia: After 70s and 80s Most of the painters have a solid academic foundation. Has a very clear picture of the language and the sense of the times, which also reflects the central and young artists of this period for the creation of the central idea, as well as the theme of a highly open and inclusive. The diversity of techniques and techniques also reflects deeper understandings and reflections. “Art Salon”: Do you think “New Ink ” will become the mainstream of the future? How to treat “New Ink ” development? Song Hongjia: “New Ink ” corresponds to the natural “old ink ”. All new things are not always necessarily good, old things do not mean outdated to be eliminated.