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导演,在中国戏曲艺术各职能门类中,它的出现,大大晚于其它如编剧、表演、音乐、舞美等戏剧职能类别。据查,最早是由京剧四大名旦之一的程砚秋先生游学归来,引进倡立的。在粤剧,则是薛觉先于上世纪40年代初,率先打破旧戏班“讲戏”的习惯,采用了严格认真的“排戏”,通过自己的艺术实践,使“导演”这个艺术概念贯注到粤剧中来。但是真正确立导演排练制度,行使导演负责组织协调戏剧排练这一职能,并且明确无误地把导演和导演艺术,变成粤剧艺术创作过程中不可缺少的环节,则是上世纪50年代,粤剧在政府行政指引下进行“戏改”的一项举措。导演的出现,使粤剧跟上时代前
Director, in the various categories of Chinese opera art, it appears later than other drama categories such as screenwriter, performance, music, dance and beauty. According to the investigation, Mr. Cheng Yanqiu, one of the four most famous operas of Peking Opera, was originally returned for study and introduction. In Cantonese Opera, Xue Jue first took the lead in breaking the habit of “making a living” in the old troupe in the early 1940s and adopted a rigorous “dramas” to make the artistic concept of “director” focus on Cantonese opera through his own artistic practice Come. However, the establishment of the director rehearsal system, the director’s role in organizing and coordinating theater rehearsals, and the unmistakable transformation of director and director art into an indispensable link in the process of the creation of Cantonese opera are the culmination of the Cantonese opera in the government A guideline for “dramatization” under the guidance of an initiative. The emergence of the director, to keep up with the era of Cantonese opera