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最近,以擅演现代戏而称著的中国评剧院,又根据刘绍棠中篇小说《花街》《渔火》,改编了两出同名评戏。这两出戏以强烈的时代气息,鲜明的人物性格特点,独异的剧种色彩和生动朴实的艺术语言,吸引了观众。从某种意义讲,也为景况萧条的北京戏曲剧坛,带来了一些勃勃生机。《花街》(郭启宏编剧,金犁导演,刘萍、张彦春等主演)写三十年代通州运河滩上发生的一件事。被丈夫抵了赌债的蓑嫂,不甘命运的摆布,带着女儿金瓜逃离家乡,途遇好心的长工叶三车,二人结为半路夫妻。蓑嫂的丈夫杨小蓑子寻踪找来,叶三车让出
Recently, the China Appraisal Theater, which is famous for its modern drama, has adapted two famous comics based on Liu Shaotang’s novella Flower Street and Fishing Boat. These two plays attracted the audience with a strong flavor of the times, distinctive characters, unique colors and lively and simple artistic language. In a sense, it also brought some vitality to Beijing’s drama scene where the situation was sluggish. “Flower Street” (Guoqi Hong screenwriter, director Jinli, Liu Ping, Zhang Yanchun and other stars) written in the thirties Tongzhou Canal Beach one thing happened. Her husband arrived gambling debts sister, unwilling to be the fate of the mercy, with her daughter Gourd fled his hometown, the road benevolent long-working leaves three cars, the two became halfway couples. My husband’s husband Yang Xiaobo sub find, Ye three cars let out