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我一向不爱看侦探、间谍的影片,无论情节多么惊险曲折都不能引起我的兴趣。可是,去年中央电视台播出的苏联电视连续剧《春天的十七个瞬间》,却把我吸引到电视屏幕前,一集也不漏地看完了。这是一部间谍侦察片,但却与一般的间谍侦察片迥然不同,没有那些传统的格斗、枪战场面,而是用非常细腻深沉的笔触再现了第二次世界大战接近尾声时,苏联与纳粹德国的一场特殊的斗争。剧中的纳粹头目个个惟妙惟肖,演得异常逼真;特别令我倾倒的是由苏联著名电影艺术家维亚切斯拉
I always do not like to see the detective, spy films, no matter how the plot of twists and turns can not arouse my interest. However, last year’s CCTV broadcast of the Soviet TV series “Spring’s Seventeen Moments” attracted me to the front of the TV screen and missed a complete episode. This is a spy reconnaissance film, but with the general spy reconnaissance film very different, without those traditional fighting, gunfight scenes, but with very delicate deep brush strokes reproduce the end of World War II, the Soviet Union and the Nazis A special fight in Germany. Nazi leaders in the play vividly, very vividly played; especially I dumped by the famous Soviet movie artist Vyacheslav