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1997年5月,笔者在本地得到一个生长二十余年、重达八十多斤的刺槐树根。这种根材木纹清晰,质地坚硬、且分布较广,是创作根雕的理想材料之一。其根呈放射状分布,侧根粗而长、无主根,且杂乱无章。由于长期裸露地表,表皮略有风化。正因如此,在最初数月一直没有发现适于创作什么而搁置一旁。同年6月,经全方位观察、审视,最终从杂乱无章如根材中寻找到创作的主题——《暖春》。主题明确之启就对多余侧根进行剪裁、但由手受根材自身因素所限,要想达到最初的创作构思,还存在许多不足。因此,笔者在因材施艺、随形赋意的基础上,决定运用局部精雕技法,充分展示人天共创的艺术境界。在施艺过程中,笔者对观赏面施艺得较为细腻,而非观赏面则运角绘画中的大写意处理。虽然施艺部分主要表现在观赏面,但从整体来看它同
In May 1997, I got a locust tree root that has grown more than 20 years and weighed over 80 kilos. This root wood clear, hard texture, and widely distributed, is one of the ideal materials for the creation of root carving. The root is radially distributed, lateral root thick and long, no main root, and chaotic. Due to long-term exposed surface, the epidermis is slightly weathered. Because of this, in the first few months have not found suitable for what to create and set aside. In the same year in June, after a full range of observations, scrutiny, and ultimately from the disorderly roots to find the theme of creation - “warm spring.” The theme of a clear start on the tailoring of excess lateral roots, but the hands of the root material itself limited, in order to achieve the original creative ideas, there are still many deficiencies. Therefore, on the basis of individual arts and craftsmanship, I decided to use local carving skills to fully display the artistic realm created by man and nature. In the process of applying arts, the author gives more exquisite art on the viewing surface, but not on the viewing surface. Although some of the main part of the performance of the viewing side, but overall it is the same