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20世纪的“红学” ,与“莎学”、“浮学”一样 ,在世界美学史上具有独特地位与价值。从胡适“红学”范式开始 ,便延续着反 1 2 0回的《红楼梦》的基本思想。“红学”的真正意义 ,应以主题学为骨干 ,涵盖作者学与版本学。曹雪芹是 1 2 0回《红楼梦》的真正作者。高鹗续书说不能成立。王国维的“红学”范式 ,是新红学的创始模式。美学批评学、文艺心理学、史学索隐学、文学考证学等学问为“红学”的研究拓展了无限的空间 ,形成了学派林立、百家争鸣的繁荣显学文化。《红楼梦》从“真事隐去”说 ,说是南京梦 ;从“假语村言”说 ,即是北京梦。 2 1世纪的红学 ,不是反对《红楼梦》 ,而是支持《红楼梦》的
The “redology” of the 20th century, like “shaxu” and “floating school”, has a unique position and value in the world history of aesthetics. Beginning with Hu Shi’s “Redology” paradigm, the basic idea of “Dream of Red Mansions”, which is the reverse of 120’s, is inherited. The real meaning of “redology” should be based on the thematic study as the backbone, covering authorship and versioning. Cao Xueqin is the real author of 120 A Dream of Red Mansions. Gao Yue continued book that can not be established. Wang Guowei’s “redology” paradigm is the founding model of the new school. Aesthetics Criticism, Literary Psychology, Historiography Recession, Literary Studies and other academic studies expand the infinite space for the study of “Redology”, forming a prosperous and significant learning culture with many schools and schools of thought. “Dream of Red Mansions” from the “true story hidden,” said that it is a Nanjing dream; from the “false language Village,” that is, Beijing dream. The red tape of the first century did not oppose “Dream of Red Mansions” but “Dream of Red Mansions”