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党中国的艺术在目前的中国画坛是一个非常特殊、非常具有启迪意义的案例:艺术家立足于地地道道的中国艺术之根基,以中国的方式却走向了现代艺术,一种中国式的现代艺术,难能可贵! 想当初“中国画的底线是笔墨”和“笔墨等于零”的争论,使业界画家、批评家为之大动肝火。赵无极弃中国笔墨,其画非常现代,并且非常中国。党中国弃中国图式,极推书法用笔,其画非常中国,并且非
The art of the Chinese of the party and China is a very special and very inspirational case in the current Chinese painting and calligraphy scene: the artist bases itself on the foundation of the authentic Chinese art and moves towards modern art and Chinese-style modern art in the Chinese way , Commendable! Think of the original “the bottom line of Chinese painting is the ink” and “ink is equal to zero” controversy, so that the industry painters, critics to anger. Zhao Wugui abandoned Chinese ink and color, whose paintings are very modern and very Chinese. The Chinese party abandoned the Chinese schema and pushed the calligraphy pens very hard. Its paintings are very Chinese and not Chinese