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在手风琴演奏技巧训练中,要求身体各部位放松是早就被手风琴演奏者和音乐理论工作者所认同的。如果为了某种演奏技巧而要求身体的某些部位“收紧”、则似乎还没有被人们所接受。但是,在现代的手风琴演奏技巧中,确实存在着单纯靠放松解决不了的问题,像右手常出现的八度及和弦的连续快速弹奏,左手连续快速风精震音(抖风箱)。都不是在放松的基础上完成的。所以说,在手风琴演奏技巧训练中,只强调放松而没有收紧要求显然是不全面的。
In the practice of accordion playing techniques, the relaxation of body parts has long been recognized by accordionists and music theorists. It does not seem to have been acceptable to some parts of the body to “tighten up” for some kind of playing skill. However, in modern accordion playing techniques, there is indeed a problem that can not be solved by relaxation alone, such as continuous octave and chord continuous rapid play in the right hand, and continuous left and right tremolo sound. Not done on a relaxed basis. So, in accordion playing skill training, it is clearly incomplete to emphasize relaxation without tightening requirements.