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梨园戏管舞台叫“戏棚”。“上棚頂”就是演員出台演出。演員出台后以剧中人物的身份和剧本所賦予的任务在舞台上活动。这就叫“认戏”,也就是我們現在所說的进入角色。演員要做到这一点,根据老师傅的經驗,必須从下面几方面去努力: 首先要求演員上台要“实”。“实”就是說演員扮演什么人物,就要像什么人物。要能装神成神,装鬼成鬼。老师傅有句行話叫做:“装許(哪)科作許(那)骸”。意思是說演員在舞台上的每个动作,每个身段,都要做到十分准和美,并且要把角色骨子里的神态都表現出来。每个动作,每个表演程式的創造与运用,既要有生活根据,从生活中吸取艺术創造的源泉。又要不是生活动作的照搬与模
Liyuan theater stage called “opera.” “On the roof” is the actor introduced the show. After the introduction of the actors to the identity of the play’s characters and the script assigned to the task of acting on the stage. This is called “drama”, which is what we now call into the role. To do this, according to the master’s experience, the actor must work hard from the following aspects: First ask the actor to come to power to be “real”. “Real” means that the actors act as a character, what kind of person should be like. To be able to pretend to God, pretending to be ghosts. The old man has a jargon jargon called: “Permission (which) Branch for Xu (that) skeleton.” Means that the actors in the stage for each action, every figure, must be very accurate and beautiful, and to show the character of the bones are shown. Each action, each program of the creation and use of performance, it is necessary to have a life based, drawing from the source of artistic creation. Again, it is not a copy of life action and mode