论文部分内容阅读
纪录片《歌舞中国》试图利用手持调度、小光圈景深、提升高光对比、刻意增强颗粒质感和碎片化跳切等一系列较为另类的视听技巧替梁一、扬扬和大多数为梦拼搏的年轻人实现“冲出亚洲、走向国际”的憧憬诉求,但那一幅幅夹杂着苍茫质感的黑白画格却无不将上海这座国际都市简化成一个致使“梦想”与“现实”分离的牢笼。在为观众奉上饱含激情的影像奇迹之同时,幕幕暴露于迷惘青春下的舞动秩序亦在相应的影像符号中尤显残酷。
The documentary “Song and Dance China” attempted to use a series of more alternative audiovisual techniques such as hand-held scheduling, small aperture depth of field, contrast enhancement, deliberately enhanced grain texture and fragmented jump-cut for Liang Yijian, Yang Yang and most of the young people struggling for their dreams “Out of Asia, towards the international ” vision, but that range of black and white paintings mixed with vast texture but all the Shanghai will be an international metropolis simplified into a cause “dream ” and "reality Separation of the cage. While giving the spectators a passionate image miracle, the dance order exposed by the curtain to confusion is also particularly cruel in the corresponding visual symbols.