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中国画的传统是“画中有诗”,“诗是无形画,画是有形诗”,其理想境界是王摩诘所谓“诗画本一律,天工与清新”。因此,诗情画意一直是中国传统艺术的孪生姐妹,历代画家们以各自的情思与才智共同创作了一部伟大的“无声诗史”。郭东健绘画十分重视遵从于这一民族艺术精神,他把自我的艺术观念与审美理想置于传统脉络之中,徜徉自适,可谓情有独钟。
The tradition of Chinese painting is “painting in poetry”, “poetry is intangible painting, painting is physical poetry”, and its ideal realm is what Wang Mo-ji called “poetry and painting this book, heavenly and fresh.” Therefore, poetic and pictorial has always been the twin sisters of Chinese traditional art. Through their own emotions and talents, ancient painters have jointly created a great “silent history of poetry.” Guo Dongjian’s painting attaches great importance to obeying the artistic spirit of this nation. He places his self-concept of art and his aesthetic ideal in the traditional context, and is self-reliant.