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自从苏东坡说了“论画以形似,见与儿童邻”的话以后,关于中国绘画的形象问题便成了争论不休的公案。 诚然,中国画艺术有着一套相当成熟并行之有效的造型技法与创作理论,这与艺术家对自然、对人生的积极参与意识接合得天衣无缝。 我们知道的中国古典艺术的一个重要特征就是:“知”(知识)、“情”(情感)、“意”(意志)的统一。曹丕主张“以气为文”,王国维提
Ever since Su Dongpo said that “painting is similar, seeing children and children”, the issue of the image of Chinese painting has become a controversial public lawsuit. It is true that Chinese painting has a well-established and well-established modeling technique and creative theory that is seamlessly integrated with artists’ awareness of nature and their active participation in life. One of the important features of Chinese classical art we know is the unification of “knowledge”, “emotion” and “intention”. Cao Pi advocate “to gas as the text,” Wang Wei mention