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“红二代”李风在文革残酷岁月里,灵魂被艺术所拯救,他开始反思,教育应该传递爱和美,而不是仇恨,这样才能让国民的审美情趣和道德情操变得高尚起来,于是,他用“愚公移山”的执念在乡村进行艺术教育实践2000年夏天,李风走在意大利佛罗伦萨狭窄的小巷,兴奋而激动,他知道,走出这条巷子,就能看到多年来心驰神往的那座圣地。真正见到的时候,他还是被震撼了。宽阔的市政广场上,超比例的科西莫一世骑马雕像、大卫塑像和大力神雕像守护着他心中的圣地——美第奇宫殿。在阳光的照射下,这些雕像散发出一片令
In the brutal years of the Cultural Revolution, his soul was rescued by art. He began to reflect on that education should pass love and beauty instead of hatred in order to elevate the aesthetic tastes and moral sentiments of the Chinese people. So, he used the concept of “Yugong Yishan ” in art education practice in the country in the summer of 2000, Li Feng walk in the narrow alley of Florence, Italy, excited and excited, he knew, out of the alley, you can see for many years To inspire that Holy Land. When he really saw him, he was still shocked. On the wide municipal plaza, the ultra-proportional Equestrian Statue of Cosimo I, the statue of David and the Hercules statue guard the Medici Palace in his heart. In the sunshine, these statues emit a order