试论古籍装帧设计中的禅境

• 作 者: 姚文婷 赵娟
• 机 构: 兰州城市学院美术学院,天水师范学院美术学院,
• 出 处: 中国包装工业
• 发表日期: 2015年06期
• 关键词: 古籍装帧 禅境 设计构思

中国禅宗是印度佛教传入中国后,与当地文化长期融合发展形成的文化产物,对中国的艺术发展有深远影响。书籍装帧设计将物质与精神结合,更能突出设计者的情感,而其中禅境的运用更是在读者和设计者之间搭建了一座桥梁。本文主要探讨传统文化下禅境在古籍装帧设计中的表现,并对现代语境下书籍装帧中禅境的发展进行分析。

After the introduction of Indian Buddhism into China, Chinese Zen is a cultural product formed through the long-term integration and development with local culture and has a profound impact on the development of Chinese art. Book binding design material and the spirit combine to better highlight the designer’s emotions, and the use of Zen is more between readers and designers to build a bridge. This paper mainly discusses the performance of Zen under the traditional culture in the design of ancient books and frames, and analyzes the development of Zen environment in the binding of books in modern context.