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20世纪前半期是中国版画艺术的重大变革时期,在从唐到明,曾经有过很体面的历史的传统复制木刻之外,诞生了现代的创作版画。鲁迅先生悉心引进欧、美、日及(前)苏联的现代木刻,对艺术青年进行技法的培训及艺术与思想上的指导,点燃了他们版画创作的激情。1931年春,“一八”艺社研究所在上海成立。是年夏,先生亲自主持了木刻讲习会,并为当年举办的展览作品集作序。其后,先生更是持续地倡导、扶植新兴木刻的创作,并以通信、演讲,亲赴展览购藏作品,推介并编印画集等
The first half of the twentieth century was a period of major changes in the art of Chinese printmaking. In addition to the traditional copying of woodcuts, which had a very decent history from the Tang Dynasty to the Ming Dynasty, modern creations were born. Mr. Lu Xun carefully introduced the modern woodcuts of the Soviet Union in Europe, the United States, Japan, and the former Soviet Union (Soviet Union), and trained the art youth in their technical skills and guidance in the arts and ideology, igniting their passion for printmaking. In the spring of 1931, “18” Art Institute was established in Shanghai. Is the summer of the year, Mr. personally presided over the woodcut class, and for the exhibition held in the collection of preface. Since then, he has been advocating and supporting the creation of emerging woodcuts continuously. He has also used communication and lectures to go to exhibitions to buy and purchase works, promote and print paintings, etc.