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摄影史上有一些激发公众想象力的作品,其意义已经超越了对某个瞬间的记录,美国摄影师史蒂夫·麦柯里的肖像作品《阿富汗女孩》就有着跨越时空的影响力,作品名称比主人公的真实姓名更深入人心。但这仅仅是麦柯里职业摄影生涯的“冰山一角”。在30多年的拍摄历程中,他完成了不同题材的摄影项目,其中包括战地摄影、铁轨上的印度、季风过境带来的后果、越过佛的足迹和“9.11”事件等,每个故事都有着深刻的内涵。本期从“季风”专题中选出的这组作品,伴随着麦柯里独特的第三人称叙述方式,重现了图片背后的故事。阅读的过程中,我们会充满对坚强生存的人,对摄影师的敬意与礼赞。
In the history of photography, there are some works that inspire public imagination, whose meaning has surpassed the record of an instant. The portraiture of American photographer Steve McCurdy, the Afghan girl, has the influence over time and space. Than the protagonist’s real name more popular. But this is just the “tip of the iceberg” of McCurry’s career in photography. During the course of more than 30 years of filming, he completed photography projects of various themes, including field photography, India on the tracks, the consequences of the monsoon crossings, the footprints of the Buddha and the “9.11” incident. Each story All have profound connotation. This installment, selected from the monsoon feature, reproduces the story behind the picture, along with McClelley’s unique third-person narrative. In the process of reading, we will be full of respect and praise for the people who are strong and who are photographers.