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徘徊意识是中国古代诗歌的一个心理母题。它来自于中国人对“大道”的跂望。其表现与西方艺术中的“仰望”不同,主要体现为“远望”。“远望”也成了中国文学艺术中所表现的主要视线。“远望”的视线表现在古典诗歌中,形成了中国人特有的“俯仰”视角,以及徘徊摇曳的“回望”身姿。
Hovering consciousness is a psychological motif of ancient Chinese poetry. It comes from Chinese people’s hope of “Avenue ”. Its performance is different from that of “looking up” in Western art, which mainly manifests as “Yuan Wang ”. “Yuan Wang ” has also become the main line of sight shown in Chinese literature and art. “Yuan Wang ” line of sight manifested in classical poetry, forming a unique “pitch ” perspective of Chinese people, and wandering “look back ” posture.