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中国山水画源远流长,早在隋代,就已出现独立的山水画,此后唐宋元明清伟大的山水画大师们表现自然和赞美自然,抒发内心,颐养性情,营造意境,达到天人合一的境界。一千六百余年前,中国就已出现高度成熟的山水画理论,如南朝宗炳《画山水序》,其“畅神”与“澄怀味象”之重要,至今无可替代。中国山水画可谓人类绘画史上的一大奇观。西方的独立风景画出现比较晚,在我认识的范围里,透纳和康斯泰勃尔应该是比较早的风景油画艺术家。透纳的风景艺术有一种主题性、象征性和精神力量,康斯泰勃尔则在自然田园风光里加进了人文情怀,在此
Chinese landscape paintings have a long history. As early as the Sui Dynasty, independent landscape paintings have emerged. Since then, the great landscape masters of the Tang, Song, Yuan, Ming and Qing Dynasties have expressed nature and praised nature to express their innermost feelings and to create their artistic conception and achieve the unity of man and nature. Over 1,600 years ago, China had witnessed the emergence of highly mature theories of landscape painting. For example, in the Southern Dynasties, Zong Bing’s painting of the landscape of mountains and rivers is very important, Alternative. Chinese landscape painting can be described as a spectacle in the history of human painting. Independent Western landscapes appear late, and Turner and Constable, as far as I know, should be early landscape oil artists. Turner’s landscape art has a thematic, symbolic and spiritual power, Constance Boer in the natural pastoral scenery into the human feelings in this