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20世纪三四十年代中国先锋戏剧受到左翼文学的挤压以及30年代中后期战争因素的影响,在声势和创作实绩上比20年代都有所减弱,此期先锋戏剧的发展少有某种流派或风格的纯粹创作。尽管如此,也有一些剧作家超越了中国传统戏剧观念,创作了与特定时代需求不尽吻合的作品。比如现代主义戏剧大师曹禺,徐訏、陈铨,吴祖光、杨绛等,其剧作在主题思想、艺术手法、艺术形式方面具有现代性先锋气质。
In the 1930s and 1940s, China’s avant-garde drama was squeezed by the left-wing literature and war factors in the mid and late 1930s. Compared to the 1920s, the momentum and creative performance of China’s avant-garde drama have weakened. There is not a certain genre in the development of avant-garde drama in this period Or style of pure creation. However, some dramatists have surpassed traditional Chinese theatrical concepts and created works that are not in line with the needs of a particular era. For example, the modernist masters Cao Yu, Xu Xu, Chen Quan, Wu Zuguang, Yang Jiang and so on, the play in the theme of thought, art practices, art forms with modern pioneer temperament.