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50年代后期,话剧界很热烈地探讨过话剧的民族化。中国话剧运动的先驱同时又精通戏曲的戏剧教育家欧阳予倩先生,那时是中央戏剧学院院长兼所属的中央实验话剧院院长,他提出话剧要与戏曲“搭手”,派遣一批演员去学戏曲。切实体验一下中国戏曲的精妙之所在。被派去学习戏曲的演员中有石维坚。他先到荀慧生先生的剧团学《坐楼杀惜》,后又转到梅兰芳先生的梅剧团。石维坚的确从戏曲中学到不少东西;他不仅与戏曲“搭”了手,而且还“联”
In the late 1950s, the drama industry was very enthusiastic about the nationalization of drama. Ouyang Yuqian, a drama educator who is also a pioneer of Chinese drama movement and proficient in drama at that time, was the dean of the Central Academy of Drama and the president of the Central Experimental Drama Theater at that time. He proposed that the drama should “take a hand” with the opera and send a group Actor to learn drama. Exactly experiencing the subtlety of Chinese opera. Shi Wei Jian was sent to learn opera drama actor. He first went to Mr. Xun Huisheng’s theater learn “kill on the floor,” and then to Mei Lanfang’s Mei Theater. Shi Weijian indeed learn a lot from the opera; he not only “took” the opera hand, but also “Union”