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本文通过分析阿特伍德的《珀涅罗珀记》中作为重述手段的叙事声音,发掘了经典叙事声音与后起的颠覆性声音之间的碰撞,同时也体察到个人声音与集体叙事声音在文本内的对抗,多种碰撞形成复调。最后,本文简要地讨论了引起此种重写现象的原因,以期将其归位于大的文化背景中,并发现叙事声音的移交不仅是文学发展的结果,它本身也正参与和改变着文学的发展。
This article explores the collision between the classical narrative voice and the later subversive voice by analyzing the narrative voice in the “Penelope” of Atwood as a restatement, and also notices the personal voice and the collective narrative voice Confrontation within the text, multiple collisions form a polyphonic. Finally, the article briefly discusses the reasons for such rewriting, with a view to reorienting it in a large cultural context and noting that the transfer of narrative voice is not only the result of the development of literature, it is also itself involved in and changed the literature development of.