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当苏童的《河岸》在叙事后半段脱离了对文革自身的专注,当贾平凹的《古炉》仅仅凝视着一个村的世界,当伤痕、反思的文学创作将文革叙述重复成为一种固定模式,当王朔式的调侃解构导向了文革的消费化叙事,当文革渐渐成为写作的背景,成为一个遥远的文学记忆时,阎连科的《四书》不啻是一个新的开拓。他用寓言式的手法建构了一
When Su Tong’s “river bank” deviated from the focus of the Cultural Revolution itself during the latter half of the narrative, when Jia Pingwa’s “ancient stove” merely gazed at the world of a village, the literary creation of scars and introspection repeated the Cultural Revolution narration as a fixed pattern When Wang Shuo-style ridicule deconstruction led to consumerism narrative of the Cultural Revolution, when the Cultural Revolution gradually became the background of writing and became a distant literary memory, Yan Lianke’s “Four Books” is a new pioneering. He constructed one in allegorical tactics