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中国古代人物画很早就有写真,而且有独特的写真方法。文人画浡沸后,写真沦落为画家末事。我觉得写真在近现代的盛起本质上不能归因于西方绘画的影响,而是对“人”普世观看的发动,尽管我们用“写生”替换了写真,用“素描”注入骨法,但纠结于此会遮蔽写真的人文进境与价值。我们从没有像这个时代对“人”的观看具有如此的兴致,在这个意义上,它具有启蒙性。在古代,绘画的图像是神圣的,这种神圣从萨满到
Chinese ancient portraits have pictures very early, and have unique pictorial methods. Literati painting boil, the photo reduced to the artist the last thing. In my view, the rise of modern China can not be attributed to the influence of Western painting in essence, but rather the launching of the universal view of “people”. Although we replace the photo with “sketch” “Into the bone method, but tangled in this will obscure the humanistic immigration and value. We have never had as much interest in watching ”people" as in this era, in the sense that it has enlightenment. In ancient times, the image of painting is sacred, this sacred from shaman to