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“景观摄影”是当下中国摄影界的热点词汇,与传统“风景摄影”概念相比,“景观”的内涵和外延更为丰富。“景观摄影”既包含了传统意义上的自然风光,同时也指向了人造景观、政治景观、经济景观、城市景观等社会景观,它们是人类历史、社会、政治、文化和经济等方面活动的反映。中性视角,冷静而有秩序感的画面是“景观摄影”最为显著的视觉标签,这种视觉建构类似于在科学实证中采用的超然于外的客观摄影录入的方式,进而也形成了一种看似没有风格的摄影风格。“景观摄影”的美学风格来源于20世纪德国的“新客观主义”摄影。此外,之后兴起的杜塞尔多夫学派的摄影实践,以及美国20世
“Landscape photography ” is the hot words of the contemporary Chinese photography community. Compared with the traditional concept of “landscape photography”, “landscape ” has more connotation and denotation. “Landscape photography ” not only contains the traditional natural scenery, but also points to the social landscapes such as man-made landscape, political landscape, economic landscape and urban landscape, which are the activities of human history, society, politics, culture and economy The reflection. The neutral, cool and orderly picture is the most visible visual tag of “landscape photography,” a kind of visual construction that is analogous to the transcendental objective photographic input that is used in scientific evidence and thus forms A seemingly style-less photography style. “Landscape photography ” aesthetic style from the 20th century German “new objectivism ” photography. In addition, the rise of Düsseldorf school of photography practice, and the United States in the twentieth Century