文化政治话语中的民间艺术——以王文坤的皮影艺术与人生为例

• 作 者: 李龙
• 机 构: 成都博物院、中国皮影博物馆,
• 出 处: 四川戏剧
• 发表日期: 2016年11期
• 关键词: 王文坤 皮影 民间艺术

川北皮影大师王文坤的艺术人生,充满着其个人的热诚与追求,有低潮,更有辉煌,是文化,更是政治。从民国时期被完全忽视到新中国成立后的被改造,再到改革开放后被政治认可与推进发展,王文坤的皮影艺术经历实际上就是一部文化政治的发展史,是一个时代的缩影,对于深刻认识民间文化与政治、国家与民间社会的互动关系具有重要意义。

The artistic life of Wang Wenkun, the master of northern Sichuan shadow, is full of his personal enthusiasm and pursuit. He has a low ebb, is more brilliant, is a culture, and is even more political. From the Republic of China period has been completely ignored after the founding of New China was transformed, and then after the reform and opening up political recognition and promote development, Wang Wenkun’s shadow art experience is actually a history of the development of culture and politics, is a microcosm of the times, for It is of great significance to have a profound understanding of the relationship between folk culture and politics, the state and civil society.