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动画片由于它自身材料的特性,尤其最主要是人与物的无限夸大、变形或扭曲,加上全人工化的画面构成,动画往往因此容易进入儿童世界,当我们看到儿童的绘画作品,无疑可以发现其画面上所有被扭曲与放大的材料,事实上经常与动画所夸大的方式无异,这是因为儿童无法一下子掌握各种细节。也因此动画往往习惯于将儿童当作首要与主要的观众对象;只是为了虑及带儿童来看电影的家长之感情,乃至于让看电影这种家庭行为可以在某种程度上补偿家长的消费心理,动画片才经常背负着“寓教于乐”的任务。然而这种“常态”大抵上适用于大部分的商业动画片,
Animation because of its own material characteristics, especially the most important is the infinite exaggeration, deformation or distortion of people and things, coupled with the whole artificial composition of the picture, the animation is often easy to enter the children’s world, when we see children’s paintings, There is no doubt that all the distorted and enlarged material on the screen is, in fact, often the same way the animations are exaggerated, because children can not grasp all the details at once. As a result, animations are often accustomed to using children as primary and primary audiences; just to take into account the feelings of parents with children watching movies; and even allowing family activities like watching movies to some extent compensate parents for spending Psychological, cartoon often bear “the edutainment” task. However, this “normal ” probably applies to most of the commercial animation,