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在中国现代文学史上,新感觉派小说受到当时日本新感觉派文学的直接影响。在叙事手法上,它呈现出鲜明的特色,包括采用内聚焦方式表现自我感觉,带有菲勒斯文化印记的洋场女郎形象的塑造,迷惘空虚的小说结尾,明显借鉴电影蒙太奇手段在叙事技巧上的不断创新。
In the history of modern Chinese literature, the novels of the new sensation were directly influenced by the literature of the new sensation in Japan at that time. In terms of narrative techniques, it has distinctive features, including the use of introverted way to express one’s own feelings, the image of foreign girl with Filipinos imprint, the end of confused empty novel, the clear reference to the film montage in the narrative technique Continuous innovation.