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老庄哲学对中国山水画艺术的形成和发展产生了重大的影响,尤其是庄子哲学中的美学思想而明瓒山水画的写生与创作又将庄子美学思想的出发点和归宿点准确地定位在他的艺术修养上画家在山水画创作的过程中建立和发展恒定的美学思想的真正意图在于,通过修养的功夫使主体达到感悟味道的自由人生境界通过艺术创作来阐述自己的理想,充分发挥了他自由、挥洒的浪漫主义情怀,怀抱一颗淡然的心境,从观照自然、感悟天道中思考人生因此,从思辨的角度看,明瓒山水画创作的艺术精神与庄子的美学思想就不期然契合在一起.
Lao-Zhuang philosophy had a significant impact on the formation and development of Chinese landscape painting art, especially the aesthetic thoughts in Zhuangzi’s philosophy and the sketching and creation of Mingyi landscape painting which in turn positioned the starting point and ending point of Zhuangzi’s aesthetic thoughts exactly in his art The true intention of cultivating the painter to establish and develop a constant aesthetic thought in the process of landscape painting is to express his ideal through art creation by fully exerting his freedom and swaying Therefore, from a speculative point of view, the artistic spirit of the Ming and Qing Dynasties landscape painting and Chuang Tzu’s aesthetics do not coincide with each other.