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她的作品,主要是高温陶土或瓷土作为材料,采用非常自然的泥浆釉装饰。其作品主要是拉坯成型,并在泥土还很湿软的时候,从内、外作些变形与装饰。这种简易的技术,使她的作品同时达到速度快而精准,而且有生命力又活泼。借助着流畅的拉坯手法,蒂娜克把技术面提升到更有心灵实质的层次上。她的拉坯法也让她成为「非中心点拉坯法」的开拓者,加上她的女性身份,在众多陶艺家中成为佼佼者。
Her work, mainly made of high-temperature clay or china clay, is decorated with a very natural mud glaze. His works are mainly for forming, and in the mud is still very soft, from the inside and outside for some deformation and decoration. This simple technique has enabled her work to be both fast and precise at the same time, yet lively and lively. With the help of smooth casting tactics, Tinaik technical aspects to a more spiritual level. Her casting method also made her the pioneer of “non-center-casting method”, adding her feminine status to become a leader in many potters.