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壁书古已有之,唐怀素五代杨凝式等皆擅此艺,虽无遗迹可观,却有佳话流传,今日壁书似已绝迹,岂料近日在中国书法音乐会上,久违之壁书重放光彩,主演李斌权先生在丈二匹大小之墙面上挥洒自如,顿还怀素旧观,令人击节赞叹,其草书结字准确,线条流畅且伴随音乐节奏,时急时缓,时弱时强,视觉与听觉融为一体,此则古人所不及者。书法属空间艺术,却受时间约束,与属于时间艺术之音乐相通,故尔书法与音乐同台献艺,成为可能,今后二者将更密切,斌权先生书法艺术将愈精进,创作出更加美妙之书法音乐节目来。——刘艺(中国书法家协会顾问,中国书法家协会第三、四届副主席)
Wall book has always existed, Tang Huai Su Yang Ning-style and so on are all good at this art, although no trace of considerable, there are stories circulating, today seems to be extinct wall books, but recently in the Chinese calligraphy concerts, the long-lost wall book weight Shining, starring Mr. Li Binquan in the size of Zhang’s husband on the wall of two sway freely, but also Huai Su-old concept, it is admiration of knot festival, the cursive knot accurate, smooth lines and accompanying rhythm of music, Strong, visual and auditory integration, this is not the ancients. Calligraphy is a space art, but by the time constraints, and belong to the music of time art, so calligraphy and music on the same stage, it is possible, the two will be closer in the future, Mr. Bin Quan calligraphy art will be more refined and create a more wonderful Calligraphy music program. - Liu Yi (China Calligraphers Association Consultants, China Calligraphers Association Third and Fourth Vice-Chairman)