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作家们为结构而苦恼。翻开近几年的小说创作，我们立刻就会看到，作家们真是为作品的结构费尽心机，各种各样的结构方法都尝试过，然而那种天衣无缝的、浑然无迹的、令人叹为观止的艺术结构，除少数伟大作家外，仍可求而不可得。单线结构，一个情节直贯篇终，缺少纵横开合之趣，让人觉得单调乏味。复线结构，忽甲忽乙，交错发展，看似摇曳多姿，终露斧凿痕迹。连环结构、联珠结构、链式结构，意在求不支不蔓，跌宕腾挪，然而又往往弄巧成拙，给人以机械拼凑之感。网状结构、辐射结构，力求错落有致、花团锦簇，然
Writers are distressed by the structure. Open up the novel creation in recent years, we will immediately see that writers really try their best for the structure of the work, a variety of structural methods have been tried, however, that kind of seamless, without a trace, The amazing art structure, with the exception of a handful of great writers, still can not be obtained. Single-line structure, a story straight through the end, the lack of vertical and horizontal opening and closing of the fun, people feel dull. Double-line structure, suddenly armor B, staggered development, seemingly swaying, exposing the ax marks. Chain structure, bead structure, chained structure, intended to claim unsustainable, ups and downs, but often self-defeating, giving a sense of mechanical patchwork. Rectangular structure, radiation structure, and strive to patchwork, flowers, however