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王福义的农村小戏;在省内虽初露头脚,有一定影响,但他这个人却鲜为人知。因为他太不显山露水了。他没有光彩照人的西服革履,也没有引人注目的骑士风度,更没有高谈阔论的文人雅兴……他这个生在庄稼院,长在庄稼院,走在田间小路上的青年剧作者,的的确确是农民的儿子,他的身上深深地打着劳动人民的印记。他老实巴交,不苟言笑,吃苦耐劳,执着的追求,辛勤的创作,在十年里写出了十几部反映农村生活的剧本,而且多部剧本在省内获奖。文如其人,王福义的小戏也朴实无华,充满了浓厚的生活气息。他自幼就生活在农民的中间,他
Wang Foyi rural drama; although the outcrop in the province, have a certain impact, but he is little known to this person. Because he is too impolite. He has no brilliant suits and ties, nor does he have a striking knight, nor even a rhetoric, his literary man, Masin ... He is indeed a young dramatist who was born in a farmhouse, grew up in a farmhouse, and walked in a field trail The peasant’s son, who deeply impressed the working people’s mark. He was humble, hard-working, hard-working, persistent pursuit and hard-working. In a decade he wrote more than a dozen scripts that reflect rural life, and won several awards in the province. Man as the text, Wang Fuyi’s small play is also plain, full of a strong atmosphere of life. He lived in the middle of a farmer’s childhood, he