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以新时期导演艺术为主题的第三届戏曲现状研讨会于七月十七日至二十一日在北京召开,来自全国各地的九十多位导演、理论家和部分在京报刊的记者参加了会议。会上,大家就中国戏曲导演的地位、如何提高导演的素质以及导演实践中的有关问题展开了广泛的讨论。会上,议论较多的是如何处理好继承和革新这一对矛盾问题。尽管分歧颇多,与会者普遍认为,传统中好的东西一定要注意发扬,但又不必拘泥传统.作为新时期的戏曲导演,一定要赋予自己以当代品格,
The Third State of the Art Symposium on the theme of directorial arts in the new era was held in Beijing from July 17 to January 21. Over 90 directors and theorists from all over the country and some journalists from the Beijing newspapers and periodicals attended the symposium meeting. At the meeting, everyone on the position of Chinese opera director, how to improve the director’s quality and director of the practice of the relevant issues in a wide range of discussions. At the meeting, what was discussed more was how to handle the contradiction between inheritance and innovation. Despite the many differences, participants generally believe that the traditional good things must pay attention to carry forward, but do not have to rigidly adhere to tradition as a new era of opera directors, we must give their own contemporary character,