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中国的漆文化是大漆的文化,是中国传统文化的一部分,也是一门以漆为主要媒材的艺术。中国的漆艺曾经应用非常广泛,如今由于时代进程中生产方式的改变、经济形式的多元发展等诸多因素,漆器逐渐淡出现代人的日常生活。文章梳理了中国的漆文化和造物的关系,探讨如何将漆文化融入构成中国现代设计的造物体系,让漆文化、漆器重新走入人们的生活和视野,还原到当下人们的生活中,从而让人们能够更全面、更客观地认识到中国的造物文化中所富含的哲学思想和文化内涵,让古人的精神和当代人文产生对话、交流与融合。
China’s lacquer culture is lacquered culture, is part of traditional Chinese culture, is also a paint as the main media art. Lacquer ware in China has been widely used. Nowadays, lacquer ware gradually fades out of the daily life of modern people due to many factors such as changes in the mode of production in the process of the times and diversified economic forms. The article combs the relationship between lacquer culture and creation in China and explores how to incorporate lacquer culture into the creation system that constitutes China’s modern design so that lacquer culture and lacquer can be re-introduced into people’s lives and horizons and restored to the present people’s lives, People can more fully and objectively recognize the philosophical thoughts and cultural connotations contained in the Chinese culture and create a dialogue, exchange and integration between the spirit of the ancients and the contemporary humanities.