抱朴始能见素——马青山书法摭议

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马青山先生人到中年始执笔为书。他自言彼时心境不似从前激昂,若与诗歌文章相较,以笔墨为器,更能到达书写自身。因此而转入书法摹习。数年过去,俨然已成书法气象,书中意趣笔法,也由临摹进入自在洒脱境地。一时间,声名鹊起,令书界侧目。以至于人论其书法趣味而疏忽其作家本色。其实青山先生一直致力于诗歌创作,歌以咏志而达情。他以乡土诗歌出发,状写人情、物理,发现乡村中值得赞美的淳朴和诗意。他是上个世纪末期活跃于西部诗坛的重要诗人。作品中的素朴品质为人称道。西部诗人牛庆国评论其作品时说:“岁月的流转使诗人归于宁静。他在宁静中思考,并努力使自己的诗歌在宁静中 Mr. Ma Qingshan middle-aged man started writing for the book. When he said he was in a different state of mind from the past, he was more able to reach the writing itself than writing poetry. So turn to calligraphy copy. A few years later, as if it has become a book of calligraphers, the book interesting style, but also by copying into the free and easy situation. For a time, fame, so book industry sidelines. So that people ignore their writer’s taste of the charm of calligraphy. In fact, Mr. Aoyama has been committed to poetry writing, song to Wing Chi and love. He started with native poetry, state of human nature, physics, found in the village praiseworthy simplicity and poetic. He was an important poet who was active in the western poetry circles at the end of the last century. The simple quality of the work is commendable. Commenting on his work, the western poet Niu Qingguo said: ”The passing of years has brought the poet to rest. He meditates in peace and strives to keep his poetry in silence
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