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王蒙的《杂色》采用了多维叙事视角转换的特殊叙事手法。作品中多维叙事视角的转换性主要表现在三个方面,即第三人称叙事的不定转换性;引入第一人称叙事形成的对话性;以及叙述视角和作者视角的重合性。这种多维叙事视角的转换最终目的是为了作者构建反思人生的主体意识的需要,为我们进一步理解作品中所蕴涵的精神内涵提供了门径,体现出作者虽历尽磨难却仍然对未来充满热情和憧憬的精神本质。
Wang Meng’s “variegated” adopts a special narrative method of multi-dimensional narrative perspective transformation. The transformation of multidimensional narrative perspectives in the works is mainly manifested in three aspects: the indefinite transformation of the third person narrative; the introduction of the dialogue of the first person narrative; and the coincidence of narrative perspective and author’s perspective. The ultimate purpose of this multi-dimensional transformation of the perspective of the narrative perspective is that the author needs to reconsider the subjective consciousness of life, which provides us with a better understanding of the spiritual connotations contained in the work, which shows that although the author is still suffering the torment but still full of enthusiasm for the future and longing The spiritual essence.