论文部分内容阅读
元阳梯田、大漠胡杨、坝上风光、桂林山水……这些景区世界闻名,而对大多数摄影人来讲更是耳熟能详。有些影友甚至已成为某地的常客,对其百拍不厌——各有各的名堂,各有各的用场。不少影友还经常聚到一起,探讨某些镜头是某一景区、某一拍摄点、某一时间拍出来的,为何你这么拍而他那样拍……津津乐道,往来不倦。特别是当某位名人曾在哪个机位上拍出了一幅著名作品,那么前往跟拍者、尝试者便络绎不绝。针对摄影界的这些现象,崔茂元老师有着自己独特的看法。这些景区他去了,也拍了。他拍了什么、他的思索是什么?我们将在本栏目中拿出几期的篇幅,与崔老师探讨在这些著名景区中如何找到属于自己的个性视角和构成,如何拍出新内容。本期崔老师就带我们走进了元阳梯田。
Yuanyang terraces, desert Populus, dam scenery, Guilin landscape ... ... these world-famous scenic spots, while most photographers are more familiar with. Some moviegoers have even become regulars in some places, never tired of their hundred beats - each has its own name, each with its own use. Many shadow friends also often get together to explore some of the lens is a scenic area, a shooting point, a beat out at a time, why do you shoot it and he did that ... ... relish, and tireless. In particular, when a celebrity who took a plane in which a famous piece of work, then go with the film, the trial will be an endless stream. For these phenomena in photography, Cui Mao Yuan teacher has its own unique view. He went to these scenic spots, also shot. What did he take and what did he think? In this column, we will take a few pieces of space to discuss with Professor Cui how to find his own personality perspective and composition and how to make new content in these famous scenic spots. This issue of Cui took us into the Yuanyang terraces.